He attended art school in Lucca and the Academy of Carrara to refine his skills from painting to sculpture. His research in the applied arts led him to open a carpentry workshop where he also began restoring objects to learn their craftsmanship. Famous for his performances on the concept of the house within legal parameters where he displays a remarkable capacity for restrained provocation involving the collective. His research leads him to tar painting also as a sign of the degradation of the seas full of residues. He succeeds in discovering the sensuality of the horrid and making it dialogue with a forum of political pretensions that become the stage for his denunciation. He does not hide and faces difficulties full-breasted and these overwhelmed by the flood of his vitality are resolved in the positive. The power of his joy becomes the most important work in Maggi's portfolio, which is always connected to nature. Abuse is an issue that shakes him and the perpetual violation on nature lead him to develop this research on the crust of nature.
The artist develops the ability to read the unexpected not as a defect but as a suggestion of new paths to be developed. His works are created as emotional suggestions that nature conveys because he senses that the future wants special attention.